Notes on the Accompanying Music CD | Teaching History with Music | Vol 19 No 4 | July 2005

The enclosed CD-ROM contains licensed material. Unauthorized use, duplication or distribution is strictly prohibited by federal law. Reproduced by permission of the various rightsholders. Produced with the generous assistance of the Hata Educational Fund and The Gilder Lehrman Institute of American History.

Examples of "Songs with Social Significance" by Mariana Whitmer

Track 1. "A Friendly Invitation to a New Plantation," performed by David and Ginger Hildebrand. All rights reserved, ©2004.
Track 2. "New England’s Annoyances," performed by Paula Purnell. All rights reserved © 2004.
Track 3. "Address to the Ladies," performed by Jan Robertson on American Revolutionary War Songs to Cultivate the Sensations of Freedom, Folkways [05279]. Provided courtesy of Smithsonian Folkways Recordings, ©1976. Used by permission.
Track 4. "Let Us Break Bread Together," performed by The Ambassadors Chorale and Ensemble. All rights reserved © 2004.
Track 5. "The Desponding Negro," performed by Bill Schustik. All rights reserved, ©2004.
Track 6. "Darling Nelly Gray," performed by Bill Schustik. All rights reserved © 2004. Complete lyrics available at:<www.contemplator.com/america/nelgray.html>.
Track 7. "Nelly Was a Lady," performed by Marty Atkinson on Swanee: The Music of Stephen Foster [Highland Records]. Provided courtesy of Highland Records, ©2000. Used by permission. Lyrics available at: <http://www.pitt.edu/~amerimus /songs.htm>.
Track 8. "Oh! Susanna," performed by the 2nd South Carolina String Band on Hard Road [Gettysburg, PA: 2nd South Carolina String Band and Ken Kershaw's Minstrel Band]. Provided courtesy of 2nd South Carolina String Band, © 2001. Used by permission. Complete lyrics available at: <http://www.pitt.edu/~amerimus /songs.htm>
Track 9. "Greenland Whale Fishery," performed by Paul Clayton on Whaling and Sailing Songs from the Days of Moby Dick [Tradition 1064]. Provided courtesy of Legacy International, ©1997. Used by permission.
Track 10. "I’m Afloat on the Erie Canal," performed by the Dady Brothers on Songs of the Erie Canal. Provided courtesy of the Dady Brothers, ©2000. Used by permission.
Track 11. "Song of the Shirt," performed by the Hutchinson Family Singers on The Hutchinson Family Singers. Provided courtesy of Hutchinson Family Singers, Inc., ©1986. Used by permission. Lyrics available at: <http://www.poetry-online. org/hood_thomas_song_of_the_shirt.htm>
Track 12. "Pie in the Sky," performed by Oscar Brand, ©1969. Used by permission of the artist.
Track 13. "Death of General Wolfe," performed by Keith and Rusty McNeil on Colonial and Revolution Songs, WEM Records [WEMCD503]. Provided courtesy of WEM Records, ©1998. Used by permission (<http://www.wemrecords.com>). Lyrics available at: <http://www.contemplator.com/ america/wolfe.html>
Track 14. "Thousands are Sailing to Amerikay," performed by John Moulden on Thousands are Sailing to Amerikay. Provided courtesy of John Moulden, ©1994. Used by permission. Lyrics available at: <http://www.fortunecity.com/tinpan/ parton/2/thousand.html>

"Dvořák and the Teaching of American History" by Joseph Horowitz

Track 15. "Symphony No. 9, ‘From the New World’" (First Movement excerpt) by Antonin Dvořák. Musical recordings under license from Naxos of America (<http://www.naxos.com>). [Naxos 8.550271] (P)2001 HNH International Ltd. All rights reserved. Unlawful duplication, broadcast, or performance of this disc is prohibited by applicable law.
Track 16. "Goin’ Home," second movement of Antonin Dvořák’s "Symphony No. 9" with text by William Arms Fisher. Performed by the Chamber Singers of the University of Texas at Austin, conducted by James Morrow. Recorded at Bates Recital Hall at the University of Texas at Austin on February 13, 2005. Used by permission.

Songs mentioned in "Freedom Songs and the Modern Civil Rights Movement" by David Hsiung

Track 17. "This Little Light of Mine," performed by Betty Mae Fikes and the Selma Youth Freedom Choir on Voices of the Civil Rights Movement: Black American Freedom Songs, 1960-1966. Smithsonian Folkways, SF40084, ©1997. Used by permission.
Track 18. "Oh Freedom," performed by Hollis Watkins on Voices of the Civil Rights Movement: Black American Freedom Songs, 1960-1966. Smithsonian Folkways, SF40084. ©1997. Used by permission.
Track 19. "We Shall Overcome," performed by mass meeting participants on Voices of the Civil Rights Movement: Black American Freedom Songs, 1960-1966, Smithsonian Folkways, SF 40084. © 1997. Used by permission.

Music for "Copland, Culture, and Catastrophe: Teaching the Depression through Classical Music" by Robert Stinson

Tracks 20 and 21. "Appalachian Spring" (Opening and Shaker Variations, excerpts) by Aaron Copland. Musical recordings under license from Naxos of America (<http://www.naxos.com>). [Naxos 8.550282] (P)2001 HNH International Ltd. All rights reserved. Unlawful duplication, broadcast or performance of this disc is prohibited by applicable law. This recording of the opening movement includes themes from the first and second movements of the original ballet.

To accompany "Integrating Live Music in the Classroom: Reflections of a Troubadour on Teaching History" by Bill Schustik

Due to technical difficulties in CD manufacturing, Track 23, which appears on page 6 of the issue, was removed from the final pressing of the CD.

Additional notes/lyrics for "Goin’ Home"

"The Largo, with its haunting English horn solo, is the outpouring of Dvořák’s own home-longing, with something of the loneliness of far-off prairie horizons, the faint memory of the red-man’s bygone days, and a sense of the tragedy of the black-man as it sings in his ‘spirituals.’ Deeper still it is a moving expression of that nostalgia of the soul all human beings feel. That the lyric opening theme of the Largo should spontaneously suggest the words ‘Goin’ home, goin’ home" is natural enough, and that the lines that follow the melody should take the form of a [N]egro spiritual accords with the genesis of the symphony." —William Arms Fisher (1861-1948), Boston, July 21, 1922. (From the introduction to the score of "Goin’ Home," an adaptation of the second movement of Dvořák’s New World Symphony with added text)

		Notes on the Accompanying Music CD
Table of Contents OAH Magazine of History Volume 19, No 4 July 2005 Copyright © Organization of American Historians All hypertext links verified in this document on 8/29/2005.		The enclosed CD-ROM contains licensed material. Unauthorized use, duplication or distribution is strictly prohibited by federal law. Reproduced by permission of the various rightsholders. Produced with the generous assistance of the Hata Educational Fund and The Gilder Lehrman Institute of American History. Examples of "Songs with Social Significance" by Mariana Whitmer Track 1. "A Friendly Invitation to a New Plantation," performed by David and Ginger Hildebrand. All rights reserved, ©2004. Track 2. "New England’s Annoyances," performed by Paula Purnell. All rights reserved © 2004. Track 3. "Address to the Ladies," performed by Jan Robertson on American Revolutionary War Songs to Cultivate the Sensations of Freedom, Folkways [05279]. Provided courtesy of Smithsonian Folkways Recordings, ©1976. Used by permission. Track 4. "Let Us Break Bread Together," performed by The Ambassadors Chorale and Ensemble. All rights reserved © 2004. Track 5. "The Desponding Negro," performed by Bill Schustik. All rights reserved, ©2004. Track 6. "Darling Nelly Gray," performed by Bill Schustik. All rights reserved © 2004. Complete lyrics available at:<www.contemplator.com/america/nelgray.html>. Track 7. "Nelly Was a Lady," performed by Marty Atkinson on Swanee: The Music of Stephen Foster [Highland Records]. Provided courtesy of Highland Records, ©2000. Used by permission. Lyrics available at: <http://www.pitt.edu/~amerimus /songs.htm>. Track 8. "Oh! Susanna," performed by the 2nd South Carolina String Band on Hard Road [Gettysburg, PA: 2nd South Carolina String Band and Ken Kershaw's Minstrel Band]. Provided courtesy of 2nd South Carolina String Band, © 2001. Used by permission. Complete lyrics available at: <http://www.pitt.edu/~amerimus /songs.htm> Track 9. "Greenland Whale Fishery," performed by Paul Clayton on Whaling and Sailing Songs from the Days of Moby Dick [Tradition 1064]. Provided courtesy of Legacy International, ©1997. Used by permission. Track 10. "I’m Afloat on the Erie Canal," performed by the Dady Brothers on Songs of the Erie Canal. Provided courtesy of the Dady Brothers, ©2000. Used by permission. Track 11. "Song of the Shirt," performed by the Hutchinson Family Singers on The Hutchinson Family Singers. Provided courtesy of Hutchinson Family Singers, Inc., ©1986. Used by permission. Lyrics available at: <http://www.poetry-online. org/hood_thomas_song_of_the_shirt.htm> Track 12. "Pie in the Sky," performed by Oscar Brand, ©1969. Used by permission of the artist. Track 13. "Death of General Wolfe," performed by Keith and Rusty McNeil on Colonial and Revolution Songs, WEM Records [WEMCD503]. Provided courtesy of WEM Records, ©1998. Used by permission (<http://www.wemrecords.com>). Lyrics available at: <http://www.contemplator.com/ america/wolfe.html> Track 14. "Thousands are Sailing to Amerikay," performed by John Moulden on Thousands are Sailing to Amerikay. Provided courtesy of John Moulden, ©1994. Used by permission. Lyrics available at: <http://www.fortunecity.com/tinpan/ parton/2/thousand.html> "Dvořák and the Teaching of American History" by Joseph Horowitz Track 15. "Symphony No. 9, ‘From the New World’" (First Movement excerpt) by Antonin Dvořák. Musical recordings under license from Naxos of America (<http://www.naxos.com>). [Naxos 8.550271] (P)2001 HNH International Ltd. All rights reserved. Unlawful duplication, broadcast, or performance of this disc is prohibited by applicable law. Track 16. "Goin’ Home," second movement of Antonin Dvořák’s "Symphony No. 9" with text by William Arms Fisher. Performed by the Chamber Singers of the University of Texas at Austin, conducted by James Morrow. Recorded at Bates Recital Hall at the University of Texas at Austin on February 13, 2005. Used by permission. Songs mentioned in "Freedom Songs and the Modern Civil Rights Movement" by David Hsiung Track 17. "This Little Light of Mine," performed by Betty Mae Fikes and the Selma Youth Freedom Choir on Voices of the Civil Rights Movement: Black American Freedom Songs, 1960-1966. Smithsonian Folkways, SF40084, ©1997. Used by permission. Track 18. "Oh Freedom," performed by Hollis Watkins on Voices of the Civil Rights Movement: Black American Freedom Songs, 1960-1966. Smithsonian Folkways, SF40084. ©1997. Used by permission. Track 19. "We Shall Overcome," performed by mass meeting participants on Voices of the Civil Rights Movement: Black American Freedom Songs, 1960-1966, Smithsonian Folkways, SF 40084. © 1997. Used by permission. Music for "Copland, Culture, and Catastrophe: Teaching the Depression through Classical Music" by Robert Stinson Tracks 20 and 21. "Appalachian Spring" (Opening and Shaker Variations, excerpts) by Aaron Copland. Musical recordings under license from Naxos of America (<http://www.naxos.com>). [Naxos 8.550282] (P)2001 HNH International Ltd. All rights reserved. Unlawful duplication, broadcast or performance of this disc is prohibited by applicable law. This recording of the opening movement includes themes from the first and second movements of the original ballet. To accompany "Integrating Live Music in the Classroom: Reflections of a Troubadour on Teaching History" by Bill Schustik Track 22. "Captain Kidd," performed by Bill Schustik. All rights reserved, © 2005. Due to technical difficulties in CD manufacturing, Track 23, which appears on page 6 of the issue, was removed from the final pressing of the CD. Additional notes/lyrics for "Goin’ Home" "The Largo, with its haunting English horn solo, is the outpouring of Dvořák’s own home-longing, with something of the loneliness of far-off prairie horizons, the faint memory of the red-man’s bygone days, and a sense of the tragedy of the black-man as it sings in his ‘spirituals.’ Deeper still it is a moving expression of that nostalgia of the soul all human beings feel. That the lyric opening theme of the Largo should spontaneously suggest the words ‘Goin’ home, goin’ home" is natural enough, and that the lines that follow the melody should take the form of a [N]egro spiritual accords with the genesis of the symphony." —William Arms Fisher (1861-1948), Boston, July 21, 1922. (From the introduction to the score of "Goin’ Home," an adaptation of the second movement of Dvořák’s New World Symphony with added text) Goin’ Home Goin’ home, goin’ home, I’m a goin’ home; Quiet like, some still day, I’m just goin’ home. It’s not far, just close by, Through an open door; Work all done, care laid by, Goin’ to fear no more. Mother’s there ‘spectin’ me Father’s waitin’ too; Lots of folk gathered there, All the friends I knew. Home, home, I’m goin’ home! Nothin’ lost, all’s gain, No more fret nor pain, No more stumblin’ on the way, No more longin’ for the day, Goin’ to roam no more! Mornin’ star lights the way Restless dream all done; Shadows gone, break of day, Real life just begun. Dere’s no break, ain’t no end, Just a livin’ on; Wide awake, with a smile Goin’ on and on. Goin’ home, goin’ home, I’m just goin’ home, It’s not far, just close by Through an open door.